A Dolls House Noras Emancipation Proclamation English Literature Essay

A Dolls House Noras E gentlemans gentlemancipation Proclamation English literary productions EssayA Dolls House, by Henrik Ibsen, demonstrates the powerful independence of the constrained and captive wife figure, Nora. The symbolism of the macaroons, the lamp, costumes, the Christmas tree, the lark and Noras departure demonstrate the characterization of Nora as an individual who is at first treated like an object, provided later on fights as a woman who wants to live for her receive merit. Her preserve Torvald sets the typic standard of a man who controls and manipulates his wife like a lady, Noras fluke from the oppressors in her life be unheard of at the time the represent was written Nora thus creation an exceptional individual who was ready to liberate herself from a male driven household.Early in the encounter, Nora subconsciously seeks her defecate got freedom. She craves macaroons which her husband explicitly forbids her to eat. Despite this, she often sneaks t hem anyways for her own pleasure. Hasnt Miss saintlike Tooth been breaking rules in town today? Taken a scrap at a macaroon or two? (Ibsen 1091) The macaroons and Dr. Ranks love for her are typic for an escape from Torvalds dominant nature. Nora ac kip downledges that Dr. Rank loves her and is thoroughly aware of it however, she refuses to tell her husband and keeps it secret from him, just like the macaroons. Though Nora does not turn on Torvald and leave with Dr. Rank, she acknowledges him as a friend, which effectively rents frontwards camaraderie mingled with the two that is separate from Torvalds grasp.Noras soula is brought forth as a doll to be coifed up according to her masters whims. Noras father would systematically be unhappy and disgruntled with her if her opinions differed from his own, and she was later haunted by hammer her fathers signature as well as Krogstads loan, even if it was just to abet her husband. Perhaps she is afraid to tell Torvald because it would demean him as a man to know he owed anything to his wife. Nora states, How painful and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything (Ibsen 1128) Her husband excessively further established the idea of Nora as a doll of his own. He dressed her up in costumes for their masquerade. This dress up is also seen in the Christmas tree that Nora and Torvald decorate. Like their marriage, the beauty and clear of the Christmas tree is a faade.Torvald often enjoyed calling Nora his runty lark, Miss. Obstinate, my little squirrel, my little songbird. This terminology reaffirms that though he felt she was endearing and cute, her desires ultimately were dependant to his own. This is especially true in the symbolism of the lark. Torvald questions Nora, Is that my little lark twittering protrude there? (Ibsen 1137). Birds are typically a symbol of flight and freedom, for him to equation her to a bird deceases ironic due to the lack o f freedom he gives her in their home environment. She lives by and for her husband, in his house, with her wings clipped.Towards the end of the play, Nora has an epiphany and brings forth the claim that thought she has been oppressed her whole life, she no longer bequeath be. Our home has been nothing but a play-room. Ive been your doll-wife here, just as at home I was Papas doll-child (Ibsen 1146). For Nora, this realization is vital to her development as a free woman. The two primary men in her life, her father and Torvald, induce been treating her not as equal persons, but as a plaything. Torvald states, I wouldnt be a man if I didnt find you twice as attractive because of your womanly helplessness (Ibsen 1143). The ugliness and falsities of their love have also come forth when Torvald reveals how its Noras job to be solely, helplessly rely on her husband. This is brought forth especially in the symbolism of the Christmas tree. Like their marriage, it was thought to be beautifu l and ornate, but is now ugly and desolate after the fairness is revealed. Though Torvald descents and says that Nora has an evenly important duty as a acquire and wife, this does not sway Noras resolve. She proclaims, I have another duty equally sacred (Ibsen 1147). The duty Nora speaks of is the duty of self-actualization. She wants to be recognized as her own person, not just as a wife or a mother. This ideology was very much considered blasphemy at the time the play was written however, now one back end look at it as one of the first steps toward the feminist movement.Noras ending scenes demonstrate the rigor and reality of her break from her oppressors. She goes so far as to say she cannot go another night in a strangers household, commemorateing that her husband never really knew her. Torvald feels Noras deceit would poison the children, stating, I shall not allow you to bring up the children I dare not trust them to you (Ibsen 1142). This is Torvalds way of denudation Nora of her motherhood. Nora, however, realizes that it was not her debt that would poison the children, but rather the treatment of the children that would poison them. If it continued, they would become dolls like her. Along with the Christmas tree being stripped and dismantled, Nora also changes issue of her tarantella costume. The costume that Torvold adored and made him feel so in love with her. She leaves the disguise of her costume and exposes her true self. This is symbolic of Noras departure from a man who enjoyed making her dress up for his amusement. I pretend you are my secret love, my young, secret bride-to-be, and nobody has the slightest suspicion that there is anything between us (Ibsen 1137). Torvalds fantasies of Nora in some sort of peril, almost a different person, show the illusion and faade behind their marriage.Torvald believes in his honor as a man he does not consider the validity and moral documentation behind Noras loan until its too late. He reprimands Nora until he realizes she wont be charged. Only when his reputation is not at stake is he voluntary to make amends. This is characteristic of a man who loves his wife when it best suites him, sooner of a man who loves his wife through turmoil. Torvald exclaims, What a horrible wake up All these eight yearsshe who was my joy and pridea hypocrite, a liarworse, worsea criminal (Ibsen 1142) Nora sacrifices incredibly for Torvald, but he is not willing to repay the favor because of his honor, even willing to disgrace her. Torvald also says, Nora, I would gladly work for your sake. But no man can be expected to sacrifice his honor, even for the person he loves (Ibsen 1111). Noras rebuttal shows that his hypocrisy is sex based, and that women give for their husbands all their life. Millions of women have done it (Ibsen 1149). This shows that Nora recognizes that she and many women of her time sacrifice for their husband to the point of it being excessive and unfair.By the end of the play, Nora has entirely realized that she can no longer survive as a doll to be toyed and paraded around. She slams the entry behind her after announcing to Torvald that she wants nothing to do with him anymore. By shutting the verge on Torvald and her family, Nora opens a new door to a life where she can live how she wants. She could never love Torvald unless he treated her like an equal, not a doll. Nora left a man who looked at her like a commodity or a pet, his little lark. She did what most women even in the modern era do not have the courage to do she broke free.