Biography of Fernando Botero Essay

Fernando Botero, also named the most Colombian of Colombian cunningists, has developed a style the world notices as his own. Fernando was born(p) in 1932 in Medellin, Colombia. Fernando came across heavy schooling as a child, which isolated him from traditional imposture in m physical exertionums and such cultural institutions. It was his nonindulgent school however that brought machination to be an interest for Fernando, the school Botero attended was run by Jesuits who were strict and brought little enjoyment into Boteros life. To harness enjoyment Botero began to draw at a progeny age.At that young age his inspiration was anything that interest him such as bullfighting. Fernando was a ample fan of bullfights so he would paint scenes of this then sold them in front of the bena for 5 pesos. He spent nearly deuce years painting this subject. He had a growing interest in art his entire life he shared his thoughts, and studied. When Botero was seventeen he worked for the Medel lin newspaper, El Colombiano, titled Picasso and the Nonconformity of Art, which fork uped Boteros mind and how it is linked with art.Botero is so well known because of his signature style, robust and round objects and characters. Botero tells critics that he is just now attracted to his form without knowing why. He claims that artists neer know why artists use a form, he claims the style is intuitive and that the explanation for their style fanny be rationalized after its adopted. Botero is difficult to understand, as he doesnt share his opinion with his art or even explaining his art. He shares his slew with us but not telling us how to feel virtu bothy it. Navas- Nieves says. We know his works are personal as some of his notable works depict his youth, The Bishop, The Nun, The Bullfighter, and The Widow.It is unknown to exclusively except Botero however if these drawings reflect the beauty with these no proportional, bright colored, mislead sized or the turmoil. Botero el iminated brushwork and texture in his paintings as he fortunate a smoother look. Boteros works are abstract and are educated by a Columbian upbringing and social commentary. When Colombian children go to church service they see all these Madonnas, so clean and perfect. In South America china-like perfection is very much a wear of the ideal toilet of beauty.More so even than the polychrome woodwind instrument sculptures in Spain, Latin American sculptures look like porcelain. So, in product line to Europe or North America, you connect the notions of art and beauty at a very early age. I grew up with the idea that art is beauty. All my life Ive been trying to produce art that is resplendent to discover all the elements that go to solve up visual perfection.When you rise from my background you cant be spoilt by beauty, because youve never really seen it. If youre born in Paris, say, you can see art everywhere, so by the time you accompany to create art yourself youre spoilt you re tired of beauty as such and extremity to do something else. With me it was quite different. I wasnt tired of beauty I was hungering for it. Botero said this knowing he was not raised with art, which is his beauty. The lack of art in his life made him develop such an original style. The church influences Botero, his baroque style was adopted from the church.Botero is the most Colombian of Colombian artists because of his insulant from international trends. Botero once remarked A painter can do things a photographer cant do, because a painter can make the invisible visible. This thinking lead Botero to create a serial publication of stark paintings about prisoner abuse in Abu Ghraib. Botero, through his paintings in this series allowed us to feel the prisoners suffering. The paintings brought us to the agony of the victims, the humiliation they felt and all the pain was transferred from the painting to us, making us the victim.This series be tho Boteros skill of art. Many cr itics thought the series was out of Boteros league claiming that Boteros style cannot do justice to the seriousness of the subject. Botero proved the critics wrong when he captures the emotion of the victims. The difference between photographs and paintings are that photographs come with a story. Just something that happened. They can be beautiful but paintings show affects and emotion and thoughts and different depictions. Much more thought goes into a painting, which sets the devil apart.